Some non-conflicting attributions, and some newly anonymous compositions, from the early sixteenth century
Identifieur interne : 000588 ( Main/Exploration ); précédent : 000587; suivant : 000589Some non-conflicting attributions, and some newly anonymous compositions, from the early sixteenth century
Auteurs : Stanley BoormanSource :
- Early Music History [ 0261-1279 ] ; 1986-10.
Abstract
A surprisingly large number of early madrigals carry conflicting attributions in the printed sources of the 1530s and early 1540s. For example, twenty-four of the ninety-five settings listed in Hans Musch's recent book on Festa appear in various sources under at least two composers' names; among other pieces in the same position are some ascribed to Arcadelt or Verdelot – or at least appearing in volumes dedicated to those composers and carrying no other names at the head of the page.
Url:
DOI: 10.1017/S0261127900000772
Affiliations:
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Le document en format XML
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<front><div type="abstract">A surprisingly large number of early madrigals carry conflicting attributions in the printed sources of the 1530s and early 1540s. For example, twenty-four of the ninety-five settings listed in Hans Musch's recent book on Festa appear in various sources under at least two composers' names; among other pieces in the same position are some ascribed to Arcadelt or Verdelot – or at least appearing in volumes dedicated to those composers and carrying no other names at the head of the page.</div>
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